Saturday, April 29, 2017

Industrial chic meets crafted elegance chez Arthur Hooper’s

Today’s travels take us just over London Bridge from The Idealist Towers to a stone’s throw from Borough Market to visit Arthur Hooper’s, a Victorian fruit sellers turned modern European restaurant with world-class interiors, beautiful food, and wine by the glass. 

Industrial chic and leather and crafted wood elegance meet in this beautiful new restaurant overlooking London’s Borough Market. Featuring lighting from Idealist Modern Hero Buster & Punch, furniture from Stellar Works Utility collection by Neri & Hu, an elegant grey and black interior and art from acclaimed artists Matt Small and Dan Hillier, this is a beautiful, urban setting for a modern European restaurant.

The Idealist were lucky enough to be invited to the restaurant opening and before we got to taste the fantastic food, we were blown away by the attention to detail in the interior design. We spotted elements of Massimo Minale’s trademark style (his studio is just around the corner) the moment we walked in the door.

 This project was very close to our hearts. Our design is a glimpse into future trends in London’s most interesting larder, in the city we love

As you can see from the photos, the space has a Victorian vibe, reflecting its setting overlooking one of London’s most historic city markets. The floor is in hexagonal concrete custom tiles, the cabinetry is in rich dark wood, and Buster & Punch’s lights are in crafted steel cages.  “This project was very close to our hearts. Our design is a glimpse into future trends, whilst embracing London’s most interesting larder, in the city we love” says Massimo Minale.

There’s a suggestion of cobbled pavements in the black tufted leather benches and the table tops are marbled, recalling the marble slabs and counters of old. Furniture is by acclaimed design studio Neri & Hu for Stellar Works and is a mix of leather and wood in beautiful finishes.


The name of the restaurant pays homage to Arthur Hooper, who in Victorian times sold fruit from the building. The new menu, designed by Chef Lale Oztek, keeps it local by sourcing ingredients from Neal’s Yard, Cannon & Cannon and Bread Ahead.

We tried a burrata, samphire and almond salad and a side of harissa butter beans and charred tenderstem broccoli (both were beautiful) and were pleased to see they’ll be offering a wide range of wines from Liberty Wines by the glass — we were there at lunchtime after all! Dishes range from £4 to £16 which, given the setting, is also good to see.


Get The Look

Neri & Hu’s Utility collection can be seen here.

Pieces from their home collections are available from Heal’s here.

Buster & Punch’s lighting is available here

John Lewis carries a limited range of pieces including their designer LED bulbs here.

To find out more

Visit Arthur Hooper’s at 8 Stoney Street London, SE1 9AA or book a reservation via  hello@arthurhoopers.co.uk (OPENING TIMES: Monday – Saturday: 11am- 11pm, Sunday: 11am – 5pm)

Photo images of Arthur Hooper’s are courtesy Moon Ray Studio. Other photos are from designers featured.

The post Industrial chic meets crafted elegance chez Arthur Hooper’s appeared first on The Idealist.



from The Idealist https://www.theidealist.com/industrial-chic-chez-arthur-hoopers/

from The Idealist Magazine https://theidealistmagazine.tumblr.com/post/160111920988
from Tumblr https://spencerthorpe.tumblr.com/post/160112093944

Industrial chic meets crafted elegance chez Arthur Hooper’s

Today’s travels take us just over London Bridge from The Idealist Towers to a stone’s throw from Borough Market to visit Arthur Hooper’s, a Victorian fruit sellers turned modern European restaurant with world-class interiors, beautiful food, and wine by the glass. 

Industrial chic and leather and crafted wood elegance meet in this beautiful new restaurant overlooking London’s Borough Market. Featuring lighting from Idealist Modern Hero Buster & Punch, furniture from Stellar Works Utility collection by Neri & Hu, an elegant grey and black interior and art from acclaimed artists Matt Small and Dan Hillier, this is a beautiful, urban setting for a modern European restaurant.

The Idealist were lucky enough to be invited to the restaurant opening and before we got to taste the fantastic food, we were blown away by the attention to detail in the interior design. We spotted elements of Massimo Minale’s trademark style (his studio is just around the corner) the moment we walked in the door.

 This project was very close to our hearts. Our design is a glimpse into future trends in London’s most interesting larder, in the city we love

As you can see from the photos, the space has a Victorian vibe, reflecting its setting overlooking one of London’s most historic city markets. The floor is in hexagonal concrete custom tiles, the cabinetry is in rich dark wood, and Buster & Punch’s lights are in crafted steel cages.  “This project was very close to our hearts. Our design is a glimpse into future trends, whilst embracing London’s most interesting larder, in the city we love” says Massimo Minale.

There’s a suggestion of cobbled pavements in the black tufted leather benches and the table tops are marbled, recalling the marble slabs and counters of old. Furniture is by acclaimed design studio Neri & Hu for Stellar Works and is a mix of leather and wood in beautiful finishes.


The name of the restaurant pays homage to Arthur Hooper, who in Victorian times sold fruit from the building. The new menu, designed by Chef Lale Oztek, keeps it local by sourcing ingredients from Neal’s Yard, Cannon & Cannon and Bread Ahead.

We tried a burrata, samphire and almond salad and a side of harissa butter beans and charred tenderstem broccoli (both were beautiful) and were pleased to see they’ll be offering a wide range of wines from Liberty Wines by the glass — we were there at lunchtime after all! Dishes range from £4 to £16 which, given the setting, is also good to see.


Get The Look

Neri & Hu’s Utility collection can be seen here.

Pieces from their home collections are available from Heal’s here.

Buster & Punch’s lighting is available here

John Lewis carries a limited range of pieces including their designer LED bulbs here.

To find out more

Visit Arthur Hooper’s at 8 Stoney Street London, SE1 9AA or book a reservation via  hello@arthurhoopers.co.uk (OPENING TIMES: Monday – Saturday: 11am- 11pm, Sunday: 11am – 5pm)

Photo images of Arthur Hooper’s are courtesy Moon Ray Studio. Other photos are from designers featured.

The post Industrial chic meets crafted elegance chez Arthur Hooper’s appeared first on The Idealist.



from The Idealist https://www.theidealist.com/industrial-chic-chez-arthur-hoopers/

from The Idealist Magazine https://theidealistmagazine.tumblr.com/post/160111920988
from Tumblr https://spencerthorpe.tumblr.com/post/160112093944

Industrial chic meets crafted elegance chez Arthur Hooper’s

Today’s travels take us just over London Bridge from The Idealist Towers to a stone’s throw from Borough Market to visit Arthur Hooper’s, a Victorian fruit sellers turned modern European restaurant with world-class interiors, beautiful food, and wine by the glass. 

Industrial chic and leather and crafted wood elegance meet in this beautiful new restaurant overlooking London’s Borough Market. Featuring lighting from Idealist Modern Hero Buster & Punch, furniture from Stellar Works Utility collection by Neri & Hu, an elegant grey and black interior and art from acclaimed artists Matt Small and Dan Hillier, this is a beautiful, urban setting for a modern European restaurant.

The Idealist were lucky enough to be invited to the restaurant opening and before we got to taste the fantastic food, we were blown away by the attention to detail in the interior design. We spotted elements of Massimo Minale’s trademark style (his studio is just around the corner) the moment we walked in the door.

 This project was very close to our hearts. Our design is a glimpse into future trends in London’s most interesting larder, in the city we love

As you can see from the photos, the space has a Victorian vibe, reflecting its setting overlooking one of London’s most historic city markets. The floor is in hexagonal concrete custom tiles, the cabinetry is in rich dark wood, and Buster & Punch’s lights are in crafted steel cages.  “This project was very close to our hearts. Our design is a glimpse into future trends, whilst embracing London’s most interesting larder, in the city we love” says Massimo Minale.

There’s a suggestion of cobbled pavements in the black tufted leather benches and the table tops are marbled, recalling the marble slabs and counters of old. Furniture is by acclaimed design studio Neri & Hu for Stellar Works and is a mix of leather and wood in beautiful finishes.


The name of the restaurant pays homage to Arthur Hooper, who in Victorian times sold fruit from the building. The new menu, designed by Chef Lale Oztek, keeps it local by sourcing ingredients from Neal’s Yard, Cannon & Cannon and Bread Ahead.

We tried a burrata, samphire and almond salad and a side of harissa butter beans and charred tenderstem broccoli (both were beautiful) and were pleased to see they’ll be offering a wide range of wines from Liberty Wines by the glass — we were there at lunchtime after all! Dishes range from £4 to £16 which, given the setting, is also good to see.


Get The Look

Neri & Hu’s Utility collection can be seen here.

Pieces from their home collections are available from Heal’s here.

Buster & Punch’s lighting is available here

John Lewis carries a limited range of pieces including their designer LED bulbs here.

To find out more

Visit Arthur Hooper’s at 8 Stoney Street London, SE1 9AA or book a reservation via  hello@arthurhoopers.co.uk (OPENING TIMES: Monday – Saturday: 11am- 11pm, Sunday: 11am – 5pm)

Photo images of Arthur Hooper’s are courtesy Moon Ray Studio. Other photos are from designers featured.

The post Industrial chic meets crafted elegance chez Arthur Hooper’s appeared first on The Idealist.



from The Idealist https://www.theidealist.com/industrial-chic-chez-arthur-hoopers/

from The Idealist Magazine https://theidealistmagazine.tumblr.com/post/160111920988
from Tumblr https://spencerthorpe.tumblr.com/post/160112093944

Friday, April 28, 2017

Modern Heroes: George Yabu and Glenn Pushelberg

Modern Heroes: George Yabu and Glenn Pushelberg

Modern Heroes: George Yabu and Glenn Pushelberg

Get the Industrial Chic Look with 10 of the best furniture pieces

With so much of a buzz around industrial chic, we’ve been out shopping again to find our favourite pieces. Today’s shopper for furniture is Benjamin, who’s on the look out for furniture to kit out an open plan flat. 

About the Industrial Chic Look

Industrial chic is a look we love because it adds texture, authenticity and atmosphere even when used to decorate with very small details. It’s especially suitable for people who love travel and history, and things that aren’t finished to cookie cutter perfection. Industrial chic shows its edges, and they are all a bit jagged and wonky. That’s part of their charm. It also means that you can add industrial details and pieces to any style of room – traditional, contemporary, modernist, shabby chic – and they will work their magic, adding warmth and honesty without hogging all the attention.

To recognize the hallmarks of industrial chic style, think turn-of-the-last-century Industrial Revolution life in English towns and cities. Mass production was in its infancy, but the furnishings and tools of the factory or warehouse worker were preparing the way for new efficiencies. Today, the look is expressed by mixing solid hardwoods with iron, brass or copper detailing. Pure metal pieces may feature exposed rivets and rough seams; they’ll have very few decorative embellishments. The colours are rich, but natural; textures like rusting metal and the patina of flaking paint, anything that suggests wear, are coveted.

We’ve discovered some great furniture and accessories that speak to the industrial chic aesthetic in varying intensities. Mix and match these pieces freely, but keep an eye on proportions and the subtle layering of textures.

Industrial Chic Furniture

Big tables are pretty synonymous with the industrial chic aesthetic as they so often served as working surfaces in factories, mills and farms in the 19th and early 20th centuries. This version from Oli & Grace is constructed from hardwood blocks arranged in a herringbone pattern. Black iron legs are a de rigueur nod to smithing and ironmongery. Its scale and sophisticated shape make it perfect for an open plan dining room or eat-in kitchen. £995.

Take a seat

These chairs echo the basic wood and iron materials of the big table with the added comfort of a curved seat and upholstery (£175). These will soften the industrial edge and refine it for the dining room. We love the look of a bench on one side of a dining table and chairs on the other (it may feel slightly Dickensian but this setup is great for kids as well). Oli & Grace’s Toby bench, with its sand-casted legs and lacquered acacia wood seat, captures that spirit perfectly. £425

A lighter take on industrial chic

For a more delicate take on industrial chic, for the kitchen perhaps, check out this zinc-trimmed table from Loaf. It’s available in medium or large, so is a good fit for most rooms (from £745).  Surround it with these soaped oak Arts and Crafts style Natterbox chairs for a less aggressive nod to industry. £230/pair

Storage and sides

We also love this vintage sideboard from Oli & Grace. It could work anywhere bits and bobs need stowing, but especially in a kitchen or dining room where additional storage is always welcome for gadgets, table linens and utensils (£395). There is a matching 10-drawer tallboy version as well. £345. Nests of tables used to be the province of Abigail’s Party style 1970s interiors, but not in this version from Swoon Editions (£179).
In a living room, juxtapose industrial chic pieces against comfortable upholstered sofas and armchairs. This Loaf Gimme side table made from reclaimed elm is also a space-saver. On tripod metal legs, it tucks discreetly to the side for cuppas and newspapers. £195


For a more in your face take on the industrial aesthetic, consider the Liston coffee table set from Oli & Grace. These have the added bonus of being from the Made in England range, so you can firmly nod to the birthplace of the Industrial Revolution! Comprised of three tables that nest or separate as required, this striking set is made from lacquered steel (note the unpolished joinery) and Georgian wire glass. £425
Finally, we love this industrial style cabinet from Swoon Editions in steel, glass, brass and deep bronze (£599). It has the relatively unusual bonus of being a deep bronze colour which adds a Steam Punk vibe to proceedings and makes a change from black, wood and steel. We love that it’s shelving, but enclosed, so you can tidy your stuff away and focus on the furniture, not your pile of old copies of Men’s Health!

 You May Also Like

The post Get the Industrial Chic Look with 10 of the best furniture pieces appeared first on The Idealist.



from The Idealist https://www.theidealist.com/top-10-industrial-chic-furniture-finds/

from The Idealist Magazine https://theidealistmagazine.tumblr.com/post/160080216533
from Tumblr https://spencerthorpe.tumblr.com/post/160080221144

Get the Industrial Chic Look with 10 of the best furniture pieces

With so much of a buzz around industrial chic, we’ve been out shopping again to find our favourite pieces. Today’s shopper for furniture is Benjamin, who’s on the look out for furniture to kit out an open plan flat. 

About the Industrial Chic Look

Industrial chic is a look we love because it adds texture, authenticity and atmosphere even when used to decorate with very small details. It’s especially suitable for people who love travel and history, and things that aren’t finished to cookie cutter perfection. Industrial chic shows its edges, and they are all a bit jagged and wonky. That’s part of their charm. It also means that you can add industrial details and pieces to any style of room – traditional, contemporary, modernist, shabby chic – and they will work their magic, adding warmth and honesty without hogging all the attention.

To recognize the hallmarks of industrial chic style, think turn-of-the-last-century Industrial Revolution life in English towns and cities. Mass production was in its infancy, but the furnishings and tools of the factory or warehouse worker were preparing the way for new efficiencies. Today, the look is expressed by mixing solid hardwoods with iron, brass or copper detailing. Pure metal pieces may feature exposed rivets and rough seams; they’ll have very few decorative embellishments. The colours are rich, but natural; textures like rusting metal and the patina of flaking paint, anything that suggests wear, are coveted.

We’ve discovered some great furniture and accessories that speak to the industrial chic aesthetic in varying intensities. Mix and match these pieces freely, but keep an eye on proportions and the subtle layering of textures.

Industrial Chic Furniture

Big tables are pretty synonymous with the industrial chic aesthetic as they so often served as working surfaces in factories, mills and farms in the 19th and early 20th centuries. This version from Oli & Grace is constructed from hardwood blocks arranged in a herringbone pattern. Black iron legs are a de rigueur nod to smithing and ironmongery. Its scale and sophisticated shape make it perfect for an open plan dining room or eat-in kitchen. £995.

Take a seat

These chairs echo the basic wood and iron materials of the big table with the added comfort of a curved seat and upholstery (£175). These will soften the industrial edge and refine it for the dining room. We love the look of a bench on one side of a dining table and chairs on the other (it may feel slightly Dickensian but this setup is great for kids as well). Oli & Grace’s Toby bench, with its sand-casted legs and lacquered acacia wood seat, captures that spirit perfectly. £425

A lighter take on industrial chic

For a more delicate take on industrial chic, for the kitchen perhaps, check out this zinc-trimmed table from Loaf. It’s available in medium or large, so is a good fit for most rooms (from £745).  Surround it with these soaped oak Arts and Crafts style Natterbox chairs for a less aggressive nod to industry. £230/pair

Storage and sides

We also love this vintage sideboard from Oli & Grace. It could work anywhere bits and bobs need stowing, but especially in a kitchen or dining room where additional storage is always welcome for gadgets, table linens and utensils (£395). There is a matching 10-drawer tallboy version as well. £345. Nests of tables used to be the province of Abigail’s Party style 1970s interiors, but not in this version from Swoon Editions (£179).
In a living room, juxtapose industrial chic pieces against comfortable upholstered sofas and armchairs. This Loaf Gimme side table made from reclaimed elm is also a space-saver. On tripod metal legs, it tucks discreetly to the side for cuppas and newspapers. £195


For a more in your face take on the industrial aesthetic, consider the Liston coffee table set from Oli & Grace. These have the added bonus of being from the Made in England range, so you can firmly nod to the birthplace of the Industrial Revolution! Comprised of three tables that nest or separate as required, this striking set is made from lacquered steel (note the unpolished joinery) and Georgian wire glass. £425
Finally, we love this industrial style cabinet from Swoon Editions in steel, glass, brass and deep bronze (£599). It has the relatively unusual bonus of being a deep bronze colour which adds a Steam Punk vibe to proceedings and makes a change from black, wood and steel. We love that it’s shelving, but enclosed, so you can tidy your stuff away and focus on the furniture, not your pile of old copies of Men’s Health!

 You May Also Like

The post Get the Industrial Chic Look with 10 of the best furniture pieces appeared first on The Idealist.



from The Idealist https://www.theidealist.com/top-10-industrial-chic-furniture-finds/

from The Idealist Magazine https://theidealistmagazine.tumblr.com/post/160080216533
from Tumblr https://spencerthorpe.tumblr.com/post/160080221144

Get the Industrial Chic Look with 10 of the best furniture pieces

With so much of a buzz around industrial chic, we’ve been out shopping again to find our favourite pieces. Today’s shopper for furniture is Benjamin, who’s on the look out for furniture to kit out an open plan flat. 

About the Industrial Chic Look

Industrial chic is a look we love because it adds texture, authenticity and atmosphere even when used to decorate with very small details. It’s especially suitable for people who love travel and history, and things that aren’t finished to cookie cutter perfection. Industrial chic shows its edges, and they are all a bit jagged and wonky. That’s part of their charm. It also means that you can add industrial details and pieces to any style of room – traditional, contemporary, modernist, shabby chic – and they will work their magic, adding warmth and honesty without hogging all the attention.

To recognize the hallmarks of industrial chic style, think turn-of-the-last-century Industrial Revolution life in English towns and cities. Mass production was in its infancy, but the furnishings and tools of the factory or warehouse worker were preparing the way for new efficiencies. Today, the look is expressed by mixing solid hardwoods with iron, brass or copper detailing. Pure metal pieces may feature exposed rivets and rough seams; they’ll have very few decorative embellishments. The colours are rich, but natural; textures like rusting metal and the patina of flaking paint, anything that suggests wear, are coveted.

We’ve discovered some great furniture and accessories that speak to the industrial chic aesthetic in varying intensities. Mix and match these pieces freely, but keep an eye on proportions and the subtle layering of textures.

Industrial Chic Furniture

Big tables are pretty synonymous with the industrial chic aesthetic as they so often served as working surfaces in factories, mills and farms in the 19th and early 20th centuries. This version from Oli & Grace is constructed from hardwood blocks arranged in a herringbone pattern. Black iron legs are a de rigueur nod to smithing and ironmongery. Its scale and sophisticated shape make it perfect for an open plan dining room or eat-in kitchen. £995.

Take a seat

These chairs echo the basic wood and iron materials of the big table with the added comfort of a curved seat and upholstery (£175). These will soften the industrial edge and refine it for the dining room. We love the look of a bench on one side of a dining table and chairs on the other (it may feel slightly Dickensian but this setup is great for kids as well). Oli & Grace’s Toby bench, with its sand-casted legs and lacquered acacia wood seat, captures that spirit perfectly. £425

A lighter take on industrial chic

For a more delicate take on industrial chic, for the kitchen perhaps, check out this zinc-trimmed table from Loaf. It’s available in medium or large, so is a good fit for most rooms (from £745).  Surround it with these soaped oak Arts and Crafts style Natterbox chairs for a less aggressive nod to industry. £230/pair

Storage and sides

We also love this vintage sideboard from Oli & Grace. It could work anywhere bits and bobs need stowing, but especially in a kitchen or dining room where additional storage is always welcome for gadgets, table linens and utensils (£395). There is a matching 10-drawer tallboy version as well. £345. Nests of tables used to be the province of Abigail’s Party style 1970s interiors, but not in this version from Swoon Editions (£179).
In a living room, juxtapose industrial chic pieces against comfortable upholstered sofas and armchairs. This Loaf Gimme side table made from reclaimed elm is also a space-saver. On tripod metal legs, it tucks discreetly to the side for cuppas and newspapers. £195


For a more in your face take on the industrial aesthetic, consider the Liston coffee table set from Oli & Grace. These have the added bonus of being from the Made in England range, so you can firmly nod to the birthplace of the Industrial Revolution! Comprised of three tables that nest or separate as required, this striking set is made from lacquered steel (note the unpolished joinery) and Georgian wire glass. £425
Finally, we love this industrial style cabinet from Swoon Editions in steel, glass, brass and deep bronze (£599). It has the relatively unusual bonus of being a deep bronze colour which adds a Steam Punk vibe to proceedings and makes a change from black, wood and steel. We love that it’s shelving, but enclosed, so you can tidy your stuff away and focus on the furniture, not your pile of old copies of Men’s Health!

 You May Also Like

The post Get the Industrial Chic Look with 10 of the best furniture pieces appeared first on The Idealist.



from The Idealist https://www.theidealist.com/top-10-industrial-chic-furniture-finds/

from The Idealist Magazine https://theidealistmagazine.tumblr.com/post/160080216533
from Tumblr https://spencerthorpe.tumblr.com/post/160080221144

Tuesday, April 25, 2017

A unique 3-storey renovation in Bethnal Green

Today’s featured home is in London’s Bethnal Green and is a three storey house that’s been imaginatively and sensitively renovated and restyled by Sarah Thomas Interiors. In an exclusive tour of the this distinctive home renovation, she shows us how she has mixed vintage elements with a modern, open plan feel by removing some internal walls and building a distinctive scheme around key architectural and design elements which reflect the style of the owners.

About Bethnal Green

Bethnal Green is a bustling area of East London well known for Columbia Road Flower Market, some great eateries and bars and a great deal of urban renewal. There’s a mix of Georgian houses nestled alongside loft-style conversions and flats and, originally the home of workers in the furniture trade, The Old Bethnal Green Road conservation area has a particularly diverse mix of houses, flats and studios.

Anyone lucky enough to have a 3-storey house here would do well to hang onto it, but this 1970s one presented some challenges to its new owners when they moved in.

Introducing the Renovation

IDEALIST: What was the house like when its owners called you in?

Sarah: Coincidentally I lived in a similar house style when I was growing up and since I’m a bit of a fan of 60’s houses, this project suited me perfectly. 

The house was in quite bad shape – the previous owners had filled it with faux Victorian trims and fittings that all needed to be ripped out. That gave us a blank canvas to really think about the space afresh.

The house was quite dark as it had been divided up into lots of small rooms, so my main advice was to start by knocking down a few walls and create a more ‘open plan’ style of living. There was also an interesting staircase to play with which I felt we could make one of the main features in the entrance of the renovated space.

IDEALIST What was the design brief?

Sarah: My clients were a couple with mixed aesthetics: the lady’s taste was more eclectic with a love of vintage and bright colours, with some South American and African influences, while her partner had more simple, modern tastes.  This made for an interesting mix and worked well in the space. 

They already had a few key pieces of distinctive furniture such as a dining table, sofa and some beautiful leather chairs, so we built on these and curated their artwork and knickknacks into appropriate areas.   A large open plan kitchen and dining room were designed with new sliding doors to bring in light and a view into the garden.

IDEALIST: Where did you start with the work?

Sarah: We had a great builder who had worked with my clients before. He was very thorough and organised which made the whole job much easier.  Our first key stages were to decide on  which walls we could knock down and to rip out the old Artex ceilings.

We knew we needed to upgrade the electrics and plumbing. This meant we had to have an idea about the bathrooms and a rough kitchen layout, so things could start being prepared.  We also had to start thinking about the flooring, as that’s a key element that sets the tone of any room.

The house was in quite bad shape – the previous owners had filled it with faux Victorian trims and fittings that all needed to be ripped out.

IDEALIST: How much of a role did the clients take in the project? Did you bring anyone else in?

Sarah: We used an architect to redesign the front of the house and extend an inset porch area to bring it out in alignment with the face of the house.  This created another few feet of space in the entrance room which was made a big difference.  The rest of the project was a bit more organic  My clients were very involved and we had weekly site meetings together with the builder.  In between times we had creative meetings and discussions to look at what we were going to do next. I created moodboards & 3d visuals to help us all decide on final looks. Things unfolded to a certain extent as we went along, rather than us having one master plan in the beginning.  Different projects work in different ways, but this way worked very well for this project as the clients were very engaged and committed. 

Getting the Look Right

IDEALIST: What was the look you were going for?

Sarah: The idea was always to be sympathetic to the original house but also to add a bit of eclectic character and personality to the house.  My clients had lots of ‘things’ so there was already a backdrop of colour and a range of accessories that needed to be considered in the space. In other schemes it can be the case of buying and adding those pieces in afterwards.  My client definitely wanted a bit of warmth from a Mexican or South American feel and also to mix in their African art with their Pop Art.  Colour was key, as it always is with me, and I wanted to make sure there were some earthy, warm colours to mix in with the primaries, to get a good balance and not be too loud.

IDEALIST: The flooring choices you made a quite unusual. How did that come about?

Sarah: My clients wanted a poured concrete floor in the downstairs area, and the builder offered to try this. It wasn’t something he’d done before, so there was a bit of trial and error but it really worked out well.  Upstairs we ended up using an industrial parquet flooring which is something I have used before, but doesn’t seem to be widely known about. Sometimes you see it used in galleries or public spaces. It’s very thick and hardwearing and economical. It comes in thin pieces of wood that vary in shades, so you really get a nice textured feel on the floor rather than just a flat colour. We used this on the top two floors of the house and it really looks great. 

IDEALIST: What other things did you introduce or change?

Sarah: Storage was a big issue for my clients. They loved the open plan approach, but of course losing walls meant storage had to be rethought. Because the entrance was so open plan, I wanted to use a nice rich material to create storage from, so i designed some birch ply storage cupboards that also house a bench seat and shoe storage.  This was very successful and is one of my clients favourite features. 

IDEALIST: You mentioned earlier that you wanted to make a feature of the staircase. How did that work out?

Sarah: The staircase was quite a challenge as it had been boxed in with Artex panels and heavily stained and varnished, so we weren’t quite sure what we would find when we started to work with it.

Originally we had plans to paint the stairs and banisters in graphic contrasting colours, but when we had the builders sand down a section, we found the wood to be a beautiful reddish pine that had some natural patina, so we decided to keep it in it’s natural form and add in some big brass screws and washers to make a feature of it.

IDEALIST: And how did you style the rooms?

Sarah: My client already had some key pieces of furniture including some beautiful tan leather chairs with contrast bright colour legs that she had bought on holiday in Texas. They really worked well in the entrance room alongside the warm textures of rugs, sheepskins, the birch ply and wooden staircase and of course all against the backdrop of the neutral concrete floor. 

We sourced some beautiful mid blue vintage chairs to go with their existing dark brown sofa, an amazing zigzag Missoni-style vintage rug, and we used their existing modern round white coffee table which coupled nicely with some string shelving units.

IDEALIST: What was the reaction of the client?

Sarah: My clients are really happy with their space – a lot of love was put into it by myself and them and it really shows.  Having a good, reliable builder was really key to this project, he was very flexible and willing to test things out for us and come up with solutions that suited the rest of the work.  My clients now spend a lot of time at home entertaining, either together or separately – with the house being on 3 floors, there’s enough space in to disappear into your own room for some peace and quiet or to do a bit of work or studying.  One of the main things for me, is that they actually enjoyed the process – especially the creative aspects –  always knowing there was a lot of design guidance and support from me.  The final stage is to now get the garden done!

Get The Look

More information

To find out more about Sarah Thomas Interiors, visit their website at  http://www.sarahthomasinteriors.com/ or email sarah@sarahthomasinteriors.com.

The post A unique 3-storey renovation in Bethnal Green appeared first on The Idealist.



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A unique 3-storey renovation in Bethnal Green

Today’s featured home is in London’s Bethnal Green and is a three storey house that’s been imaginatively and sensitively renovated and restyled by Sarah Thomas Interiors. In an exclusive tour of the this distinctive home renovation, she shows us how she has mixed vintage elements with a modern, open plan feel by removing some internal walls and building a distinctive scheme around key architectural and design elements which reflect the style of the owners.

About Bethnal Green

Bethnal Green is a bustling area of East London well known for Columbia Road Flower Market, some great eateries and bars and a great deal of urban renewal. There’s a mix of Georgian houses nestled alongside loft-style conversions and flats and, originally the home of workers in the furniture trade, The Old Bethnal Green Road conservation area has a particularly diverse mix of houses, flats and studios.

Anyone lucky enough to have a 3-storey house here would do well to hang onto it, but this 1970s one presented some challenges to its new owners when they moved in.

Introducing the Renovation

IDEALIST: What was the house like when its owners called you in?

Sarah: Coincidentally I lived in a similar house style when I was growing up and since I’m a bit of a fan of 60’s houses, this project suited me perfectly. 

The house was in quite bad shape – the previous owners had filled it with faux Victorian trims and fittings that all needed to be ripped out. That gave us a blank canvas to really think about the space afresh.

The house was quite dark as it had been divided up into lots of small rooms, so my main advice was to start by knocking down a few walls and create a more ‘open plan’ style of living. There was also an interesting staircase to play with which I felt we could make one of the main features in the entrance of the renovated space.

IDEALIST What was the design brief?

Sarah: My clients were a couple with mixed aesthetics: the lady’s taste was more eclectic with a love of vintage and bright colours, with some South American and African influences, while her partner had more simple, modern tastes.  This made for an interesting mix and worked well in the space. 

They already had a few key pieces of distinctive furniture such as a dining table, sofa and some beautiful leather chairs, so we built on these and curated their artwork and knickknacks into appropriate areas.   A large open plan kitchen and dining room were designed with new sliding doors to bring in light and a view into the garden.

IDEALIST: Where did you start with the work?

Sarah: We had a great builder who had worked with my clients before. He was very thorough and organised which made the whole job much easier.  Our first key stages were to decide on  which walls we could knock down and to rip out the old Artex ceilings.

We knew we needed to upgrade the electrics and plumbing. This meant we had to have an idea about the bathrooms and a rough kitchen layout, so things could start being prepared.  We also had to start thinking about the flooring, as that’s a key element that sets the tone of any room.

The house was in quite bad shape – the previous owners had filled it with faux Victorian trims and fittings that all needed to be ripped out.

IDEALIST: How much of a role did the clients take in the project? Did you bring anyone else in?

Sarah: We used an architect to redesign the front of the house and extend an inset porch area to bring it out in alignment with the face of the house.  This created another few feet of space in the entrance room which was made a big difference.  The rest of the project was a bit more organic  My clients were very involved and we had weekly site meetings together with the builder.  In between times we had creative meetings and discussions to look at what we were going to do next. I created moodboards & 3d visuals to help us all decide on final looks. Things unfolded to a certain extent as we went along, rather than us having one master plan in the beginning.  Different projects work in different ways, but this way worked very well for this project as the clients were very engaged and committed. 

Getting the Look Right

IDEALIST: What was the look you were going for?

Sarah: The idea was always to be sympathetic to the original house but also to add a bit of eclectic character and personality to the house.  My clients had lots of ‘things’ so there was already a backdrop of colour and a range of accessories that needed to be considered in the space. In other schemes it can be the case of buying and adding those pieces in afterwards.  My client definitely wanted a bit of warmth from a Mexican or South American feel and also to mix in their African art with their Pop Art.  Colour was key, as it always is with me, and I wanted to make sure there were some earthy, warm colours to mix in with the primaries, to get a good balance and not be too loud.

IDEALIST: The flooring choices you made a quite unusual. How did that come about?

Sarah: My clients wanted a poured concrete floor in the downstairs area, and the builder offered to try this. It wasn’t something he’d done before, so there was a bit of trial and error but it really worked out well.  Upstairs we ended up using an industrial parquet flooring which is something I have used before, but doesn’t seem to be widely known about. Sometimes you see it used in galleries or public spaces. It’s very thick and hardwearing and economical. It comes in thin pieces of wood that vary in shades, so you really get a nice textured feel on the floor rather than just a flat colour. We used this on the top two floors of the house and it really looks great. 

IDEALIST: What other things did you introduce or change?

Sarah: Storage was a big issue for my clients. They loved the open plan approach, but of course losing walls meant storage had to be rethought. Because the entrance was so open plan, I wanted to use a nice rich material to create storage from, so i designed some birch ply storage cupboards that also house a bench seat and shoe storage.  This was very successful and is one of my clients favourite features. 

IDEALIST: You mentioned earlier that you wanted to make a feature of the staircase. How did that work out?

Sarah: The staircase was quite a challenge as it had been boxed in with Artex panels and heavily stained and varnished, so we weren’t quite sure what we would find when we started to work with it.

Originally we had plans to paint the stairs and banisters in graphic contrasting colours, but when we had the builders sand down a section, we found the wood to be a beautiful reddish pine that had some natural patina, so we decided to keep it in it’s natural form and add in some big brass screws and washers to make a feature of it.

IDEALIST: And how did you style the rooms?

Sarah: My client already had some key pieces of furniture including some beautiful tan leather chairs with contrast bright colour legs that she had bought on holiday in Texas. They really worked well in the entrance room alongside the warm textures of rugs, sheepskins, the birch ply and wooden staircase and of course all against the backdrop of the neutral concrete floor. 

We sourced some beautiful mid blue vintage chairs to go with their existing dark brown sofa, an amazing zigzag Missoni-style vintage rug, and we used their existing modern round white coffee table which coupled nicely with some string shelving units.

IDEALIST: What was the reaction of the client?

Sarah: My clients are really happy with their space – a lot of love was put into it by myself and them and it really shows.  Having a good, reliable builder was really key to this project, he was very flexible and willing to test things out for us and come up with solutions that suited the rest of the work.  My clients now spend a lot of time at home entertaining, either together or separately – with the house being on 3 floors, there’s enough space in to disappear into your own room for some peace and quiet or to do a bit of work or studying.  One of the main things for me, is that they actually enjoyed the process – especially the creative aspects –  always knowing there was a lot of design guidance and support from me.  The final stage is to now get the garden done!

Get The Look

More information

To find out more about Sarah Thomas Interiors, visit their website at  http://www.sarahthomasinteriors.com/ or email sarah@sarahthomasinteriors.com.

The post A unique 3-storey renovation in Bethnal Green appeared first on The Idealist.



from The Idealist https://www.theidealist.com/3-storey-renovation-bethnal-green/

from The Idealist Magazine https://theidealistmagazine.tumblr.com/post/159971425323
from Tumblr https://spencerthorpe.tumblr.com/post/159971454819